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1 Donizetti's The Elixir of Love Dulcamara's Cavatina 'Attention! Attention!' with Geoffrey Mitchell Choir 2 Nemorino & Dulcamara's Recitative & Duet 'Good doctor, beg your pardon' with Barry Banks, tenor (PMF Scholar) 3 Adina & Dulcamara's Duet 'How he loved me!' - 'With a look of love...' with Mary Plazas, soprano (PMF Scholar) 4 Act II finale 'It will give you cheeks like peaches.' with PMF Scholars, Mary Plazas, soprano & Barry Banks, tenor, Ashley Holland, baritone & Geoffrey Mitchell Choir 5 Rossini's The Barber of Seville Bartolo's Aria 'Dare you offer such excuses' 6 Rossini's The Italian Girl in Algiers Isabella & Taddeo's Duet 'All the changes in my fortune' - 'Ah, yes, as friends united' with Della Jones, mezzo-soprano 7 Mozart's Don Giovanni Leporello's Catalogue Aria 'Look here: this not so little volume' 8 Donizetti's Don Pasquale Malatesta & Pasquale's Duet 'She'll be here by midday ' with Jason Howard, baritone 9 Pasquale & Norina's Duet 'Well good evening! You're in a hurry' with Lynne Dawson, soprano 10 Malatesta & Pasquale's Duet 'Don Pasquale ...' - 'Ah brother... a living corpse is standing here before you' with Jason Howard, baritone 11 Verdi's Falstaff Honour monologue 'Hey, Page boy!'
Philharmonia Orchestra & London Philharmonic Orchestra - David Parry - conductor English National Opera Orchestra - Gabriele Bellini & Paul Daniel - conductors
Recorded in Blackheath Halls, London 7-11 February 1999 - tracks 1-4; 12-16 March 2000 - track 6; 22-27 August 2000 - track 7; 15, 17, 18, 20 & 21 November 1997 - tracks 8-10; 27 May-3 June - track 11; Goldsmiths College, London, 9-14 August 1994 - track 5 Producer - Brian Couzens, Sound engineers - Ralph Couzens & Jonathan Cooper (Falstaff) Mastering engineer - Michael Common |