CHAN 3054








Gramophone


'In spite of speeds that in other hands would often seem unreasonably slow, or to an extent because of them, Goodall's interpretation has an unerring sense of lyrical and dramatic concentration, every paragraph, phrase and bar carefully considered and executed with loving care by singers and players alike, all so closely coached by their veteran conductor.... The main honours are carried off by Emile Belcourt's plausible, witty and articulate Loge, Hammond-Stroud's imposing, strongly sung Alberich, Robert Lloyd's sympathetic Fasolt and Bailey's ever authoritative Wotan.'
Preliminary Evening to the Festival Play:
The Ring of the Nibelung
Music drama in four scenes
Poem by Richard Wagner
English translation by Andrew Porter
 
The Cast

Gods

Norman Bailey, bass-baritone - Wotan
Norman Welsby, baritone - Donner
Robert Ferguson, tenor - Froh
Emile Belcourt, tenor - Loge

Giants

Robert Lloyd, bass - Fasolt
Clifford Grant, bass - Fafner

Nibelungs

Derek Hammond-Stroud, baritone - Alberich
Gregory Dempsey, tenor - Mime

Goddesses

Katherine Pring, mezzo-soprano - Fricka
Lois McDonnall, soprano - Freia
Anne Collins, contralto - Erda

Rhinemaidens

Valerie Masterson, soprano - Woglinde
Shelagh Squires, mezzo-soprano - Wellgunde
Helen Attfield, contralto - Flosshilde

English National Opera Chorus
English National Opera Orchestra
Reginald Goodall - conductor

Recorded live at the London Coliseum - 10, 19, 25 & 29 March 1975
Producer - John Mordler
Sound engineer - Robert Gooch


The Sunday Telegraph
‘... I never feel that his tempos sound slow. The inner momentum of the music is what matters and Goodall's phrasing is so natural and unmannered that the flow is as strong as the Rhine itself.'


The Rhinegold