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Nick Kimberley reviews regularly for the Evening Standard, BBC Music Magazine and The Gramophone
'Nobody in opera is keen to waste money. Both the late, Patric Schmid showed, and Peter Moores shows, that a judicious mixture of pragmatism and idealism can make a difference to the way we see and hear opera. In their distinctive ways, Opera Rara and Opera in English have enriched the operatic landscape, and that must be good for opera’s ecology on the broadest scale.'
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