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Gramophone
'For a thoroughly sympathetic, theatrically effective English-language Bluebeard’s Castle, this new release is about as good as it’s likely to get... The recording grew from performances by Opera North but the absence of a visual element hardly matters… Tomlinson’s Bluebeard is godlike, cautioning and doleful, the voice hugely resonant…And so the drama unfolds, Burgess’s Judith, shrewish and fatally curious, Tomlinson’s Bluebeard, inwardly tortured but fired by Judith’s dark beauty. The instruments of torture, the armaments, mountains of gold, tender flowers and spacious |