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Now that it's here, it stands out as one of Opera Rara's most indispensable enterprises - and that is saying something. Dom Sébastien is every bit as distinctive as you would expect of the last of the composer's 70 or so operas… One observer called it a ‘funeral procession in five acts’... that is its strength, especially when the work is shaped with as much conviction and drive as Mark Elder - a conductor wonderfully alert to the idiom - brings to it here… the orchestra (playing without vibrato and including natural horns) and chorus are, along with the galvanizing Elder, the chief heroes of this enterprise. The cast is a fine one. Giuseppe Filianoti brings a pungent tenor to the title role and Simon Keenlyside provides strong, hectoring opposition as Abayaldos. Even in concert, Vesselina Kasarova, who sings with vibrant, dusky tone, supplies spirited presence as the Moorish princess Zayda, tom between Islam and Christianity, or at least the men representing these opposing sides. Alastair Miles is chillingly resonant as the grand inquisitor Dom Juam, and among the smaller parts Robert Gleadow makes a potent mark as Dom Henrique.’ |