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ending. This production had a sweetly homespun feel from the start… But from the moment Juliet opened her mouth, we might have been listening to a blend of Handel and early Mozart. This may have been because the accompanying band was the superb London Mozart Players, but it was principally the musical language: the textures and the interplay between voices and woodwind and strings were all instantly recognisable.
One only realised it wasn't Mozart as the drama was ratcheted up – Benda was a good composer, not a great one – but the denouement was delightful, with Juliet springing out of her tomb, Capulet slapping Romeo on the back, and hugs all round. Well, why not? ‘ |